Usage Rules
  1. The secondary typeface is for use in all contexts outside of the logo and its variations, including web, social media, and print graphics
  2. "Thin" weight should only be used at large sizes
  3. Occasional use of all caps to delineate titling is ideal
  4. If background is not white, use white type as much as possible
  5. Avoid using colored type on colored backgrounds
  6. View on Google Fonts




Roboto 100 Thin

Roboto 300 Light

Roboto 400 Regular

Roboto 500 Medium

Roboto 700 Bold

Roboto 900 Black



Example Paragraph

VHS messenger bag craft beer food truck. Blog tofu williamsburg echo park, viral single-origin coffee umami before they sold out crucifix portland pop-up yuccie dreamcatcher air plant. Live-edge gastropub portland etsy, distillery polaroid waistcoat bushwick before they sold out. Heirloom wayfarers crucifix, sartorial banh mi kinfolk selvage artisan umami. Godard tacos asymmetrical tilde disrupt blue bottle post-ironic brooklyn. Fap try-hard art party, unicorn man braid hell of tote bag leggings cold-pressed raclette. Kale chips 90's 8-bit, mumblecore coloring book venmo dreamcatcher kickstarter.

Salvia pork belly vinyl tousled air plant. Artisan vexillologist yr subway tile small batch, sriracha retro sustainable. Biodiesel normcore kale chips photo booth yuccie offal, tofu tattooed neutra authentic cold-pressed readymade activated charcoal. Slow-carb put a bird on it whatever, mixtape schlitz beard hell of meditation post-ironic chambray celiac cronut DIY leggings. Fap live-edge chicharrones, flexitarian yuccie photo booth brooklyn woke. Kitsch echo park unicorn craft beer, plaid occupy cred thundercats. Godard actually yuccie +1 ennui.

About the Typeface

Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settled into their natural width. This makes for a more natural reading rhythm more commonly found in humanist and serif types.

Designed by Christian Robertson